(2016-present)
A walkabout exploration of scenes of ‘nature’ within a human made environment.
(2017-PRESENT)
Nuna—Inupiat for “land” and “earth”
Usufruct— The right to use and/or enjoy the advantages of another’s property short of its destruction or the waste of its resources.
(2014-present)
A collection of pictures.
"Receded Water considers the interplay between bodies of water and the landscape that holds them. made in response to the low water levels of local reservoirs over the past three years, this family of photographs searches for a dialogue between personal and collective memory, land use, and a feeling of curiosity. rooted in the history of dialogue between photography and the landscape, Receded Water is at once a reflection of the past, and an examination of the present—as told by the land."
framed 4x6 inkjet prints
2016/2017
2012 - present
What is the state of the American Dream, as told by its edifices, landscapes, and objects. After recent recessions and the ever-polarization of our populace? This project takes a subjective look at the signifiers we have in contemporary society through which we construct the narratives about U.S. culture: our buildings, our roadways, our signs, our flag(s), our fences, our intersections with the natural environment.
(2012-2017)
A longterm nocturnal study of the deer populations that inhabit my hometown of Ashland, OR. The deer are an exoticized yet unwanted population situated within a the context of an encroaching settlement of alien species (humans). Tourists take photos of the deer crossing Main Street while ‘locals’ worry about the deer’s impact on their gardens and the safety of their pets. I’m interested in how the deer interact with and navigate the space at night when the alien population is safe in their homes.
installation and performance w/ Hannah Bakken and Trevis True.
digital prints, found recipes from Empire Diner, broiled grapefruit.
2016
2016
Installation (with Trevis True) considering the implications of the internet on certain aspects of social and visual life including communication and narrative, photography and its implications for and on society, and commodification of every facet of daily life.
